demon in sunlight
fragments of my low life have
hidden to be seen
in scratchings on the pavement
more picayunes for my purse
by TONY SINGLE
© All rights reserved 2024
demon in sunlight
fragments of my low life have
hidden to be seen
in scratchings on the pavement
more picayunes for my purse
by TONY SINGLE
© All rights reserved 2024
let’s walk to one side
under cover of quiet
observe how they go
why do they hurry
will they be on time
would that give them peace
anxiety sponges all
bloated beyond reason
so ready to explode
let’s take careful steps
under cover of quiet
mustn’t let them splash us
we are the hidden
happy to be nowhere
ghosting for sanity
by TETIANA ALEKSINA & TONY SINGLE
© All rights reserved 2024
Literary classics aren’t always created by the greying elder statesmen and women of the writing world. You know the ones. They’re all wise and wrinkly and impassive, and woe betide the scholar who dares mount an honest critique of their bodies of work.
You see, literary classics are also written by upstart youngsters. These youngsters are full of vitality and creativity. They live fully awake and fully aware during these very difficult times. Nothing escapes their notice and they’re unafraid to share what they really think. They walk among us right now, breathing, smiling and crying, loving and hating, experiencing the full range of their humanity without apology.
This series presents names that you won’t find in textbooks or on Wikipedia, but these are the very youngsters who are creating modern Ukrainian literature right now. Trust us, you will want to check them out because it’s only a matter of time before they become household names. When we go back to these writers in two hundred years, we have no doubt that they’ll be mentioned in the same breath as luminaries such as Taras Shevchenko and Lesya Ukrainka.
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the last letter to K
dear friend,
i miss
your dreams come no more
to me in reality.
if you knew
how many fates were twisted,
smoked away, half-eaten by dogs
how many letters gather dust in mailboxes
concolourous with dried blood
and how many vows left behind only poetries
somewhere in the bowels of my telegram.
i am much the same as usual
outside the window are the crooked teeth of apartments
with leftovers of the staled unsaid
just got more quiet
it nestles on my knees, purrs,
eats away all my hunger
and i feel the thirst for life no more.
dear friend,
god turns off the light
sleep, i will carry your love protest
i will carry your hate
i will carry your sexual desire
depart with ease
let your fear continue hereafter
suffocate in oblivion.
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останній лист до К
милий друже,
я сумую
твої сни уже більше не проходять
до мене на яву.
знав би ти
скільки доль скручено,
скурено, виїдено собаками
скільки листів запилюжені у скринях
кольору засохлої крові
і від скількох клятв залишились лиш вірші
десь у надрах мого телеграму.
у мене ж усе так само
за вікном нерівні зуби квартир
із недоїдками закипілої недосказаності
лише от більше спокою
він моститься у мене на колінах, муркотить,
з’їдає мій весь голод
і я уже не відчуваю спрагу до життя.
любий друже,
бог вимикає світло
засинай, я берегтиму твій протест любові
я берегтиму твою ненависть
я берегтиму твоє сексуальне бажання
помирай спокійно
нехай твій страх і надалі
задихається у забутті.
Original poem by DARII LAZHNEVSKYI
Translation by TETIANA ALEKSINA
© All rights reserved 2024
“I have no power to change you
or explain your ways
Never believe a man can change a woman
Those men are pretenders
who think
that they created woman
from one of their ribs
Woman does not emerge from a man’s ribs, not ever,
it’s he who emerges from her womb
like a fish rising from depths of water
and like streams that branch away from a river
It’s he who circles the sun of her eyes
and imagines he is fixed in place
I have no power to tame you
or domesticate you
or mitigate your first instincts
This task is impossible
I’ve tested my intelligence on you
also my dumbness
Nothing worked with you, neither guidance
nor temptation
Stay primitive as you are
I have no power to break your habits
for thirty years you have been like this
for three hundred years
a storm trapping in a bottle
a body by nature sensing the scent of a man
assaults it by nature
triumphs over it by nature
Never believe what a man says about himself
that he is the one who makes the poems
and makes the children
It is the woman who writes the poems
and the man who signs his name to them
It is the woman who bears the children
and the man who signs at the maternity hospital
that he is the father
I have no power to change your nature
my books are of no use to you
and my convictions do not convince you
nor does my fatherly council do you any good
you are the queen of anarchy, of madness, of belonging
to no one
Stay that way
You are the tree of femininity that grows in the dark
needs no sun or water
you the sea princess who has loved all men
and loved no one
slept with all men… and slept with no one
you are the Bedouin woman who went with all the tribes
and returned a virgin
Stay that way.”
by NIZAR QABBANI (1923-1998)
Public Domain Poetry
i fain would draw this blue fog
but have only the red ink of shame
it burns through my sullen veins
i fain would deface my skin
but it’s like a brittle parchment
it crumbles ‘neath needle’s acerb touch
i fain would drown them all in bile
but hide behind what they want of me
my head pulses like a tumour
i fain would discard my failed life
but angst has drained resolve from my bones
i wait, days full up with hospital pudding
by TETIANA ALEKSINA & TONY SINGLE
© All rights reserved 2023