life, death & rollick

maybe we can all be pretty
& live our lives in sumptuous sin
the world’s troubles all so petty
ain’t worth a wrinkle on our smooth skin

futility is the language of
those who damn themselves
let’s make sprees & merry whoopees
over the slough of despond

& even when old age outruns us
ageless wonder inside shall bloom
we’ll indulge in all the fun and fuss
ignore that tired-from-waiting tomb

futility is the language of
those who damn themselves
let’s make sprees & merry whoopees
over the slough of despond

by TETIANA ALEKSINA & TONY SINGLE
© All rights reserved 2024

all day sucker

i won me a lollipop at the fair
a golden horsey with a wee eyesore
well, a grain of sugar what hadn’t melt
this blemishment gave me ma a scare
“lick it not, wee lassie!” she did implore
“’tis an evil eye what from hell-ter skelt!”

while me ma looked prayful at the sky
fumbled an’ mumbled, fair crossin’ herself
i stole me a wee tentative lick
well, ain’t nothin’ happened by the by
no lurgy, no hauntin’ nor broken shelf
no double whammy or triple kick

ma an’ me did ‘tinue ’round the grounds
buyed us eggs (three pennies a dozen)
hid our nyloned legs up on the ferris wheel
i licked an’ i sucked, slurpin’ wee rounds
sugar rushin’ gave me head a wee buzzin’
ma’s “let us hie home!” took on fresh appeal

by the time ma an’ me met pa at the stoop
naught but a stick were gummed to me palm
an’ me tummy were turgin’ somethin’ fierce
then there, the bridle, like an empty loop
fell from pa’s hand to mountin’ alarm
an’ news of ol’ clyde to sadden the ears

i cried at dinner and all through the night
at thought of our nag’s life all melt away
while i tongued in the sun, too much to bear
i were scold by me ma though real contrite
no lollipops for me the rest of me days
and animal crackers i’d ought beware

by TETIANA ALEKSINA & TONY SINGLE
© All rights reserved 2023

threshian harvest

it’s alright, it’s okay
you can lay me down now
in that circle poised for decay
or maybe tomorrow
or maybe back then
hell knows when

it’ll always be too soon
to attend such sadness but
it’s alright & it’s okay anyway

i need only as long as i get
& maybe moments more
for my life to matter
for to fill it with you
& the scenes we’ll ne’er keep
when our play is done

it’ll always be too soon
for such sadness to mend but
it’s alright to live & die anyway

you pay your debts with pain
then seek a new currency
& nurse that barb wire heart
but ask what joy would do
even when i’m gone
see, it’s alright, it’s okay

it’ll always be too soon
to pen such sadness but
it’s alright & got a poem anyway

by TONY SINGLE
© All rights reserved 2024

TATI’S TRANSLATIONS // Young Ukrainian Poets: Viktoriia Feshchuk

Tati Translates Viktoriia Feshchuk

Literary classics aren’t always created by the greying elder statesmen and women of the writing world. You know the ones. They’re all wise and wrinkly and impassive, and woe betide the scholar who dares mount an honest critique of their bodies of work.

You see, literary classics are also written by upstart youngsters. These youngsters are full of vitality and creativity. They live fully awake and fully aware during these very difficult times. Nothing escapes their notice and they’re unafraid to share what they really think. They walk among us right now, breathing, smiling and crying, loving and hating, experiencing the full range of their humanity without apology.

This series presents names that you won’t find in textbooks or on Wikipedia, but these are the very youngsters who are creating modern Ukrainian literature right now. Trust us, you will want to check them out because it’s only a matter of time before they become household names. When we go back to these writers in two hundred years, we have no doubt that they’ll be mentioned in the same breath as luminaries such as Taras Shevchenko and Lesya Ukrainka.

Untitled

in your cathedral
maries refuse to cry
have sent their sons and daughters to protect the city
and stand stern, concentrated.

their prayers kept close
abreast with the eyes
abreast with the things around,
with which you can cover, or handle
as a weapon.

meanwhile from above
the viscous silence.
there you can distinguish an angel from a bird
a native one from a migrant.

and if maries hear natives
then, before the wailing starts,
they give a severe reprimand.
waiting for obedience.

Без назви

у твоїм соборі
богородиці відмовляються плакати
відправили синів і доньок захищати місто
і стоять суворі, зібрані.

їхні молитви при собі
на рівні очей
на рівні предметів довкола,
якими можна прикритись чи взяти до рук
зброєю.

а згори тимчасом
тягуча тиша.
у такій відрізниш янгола від птаха
свого від перелітного.

і якщо почують своїх
то, поперед голосінню,
сильно висварять.
чекатимуть послуху.

Original poem by VIKTORIIA FESHCHUK
Translation by TETIANA ALEKSINA

© All rights reserved 2024

TATI’S TRANSLATIONS // Young Ukrainian Poets: Daryna Chupat

Tati Translates Daryna Chupat

Literary classics aren’t always created by the greying elder statesmen and women of the writing world. You know the ones. They’re all wise and wrinkly and impassive, and woe betide the scholar who dares mount an honest critique of their bodies of work.

You see, literary classics are also written by upstart youngsters. These youngsters are full of vitality and creativity. They live fully awake and fully aware during these very difficult times. Nothing escapes their notice and they’re unafraid to share what they really think. They walk among us right now, breathing, smiling and crying, loving and hating, experiencing the full range of their humanity without apology.

This series presents names that you won’t find in textbooks or on Wikipedia, but these are the very youngsters who are creating modern Ukrainian literature right now. Trust us, you will want to check them out because it’s only a matter of time before they become household names. When we go back to these writers in two hundred years, we have no doubt that they’ll be mentioned in the same breath as luminaries such as Taras Shevchenko and Lesya Ukrainka.

Untitled

i always walk this very road
where a scar blackens the asphalt
a braking path
i come back here again and again
though to the old pain
it is better to not come back

rain so often
raises between us
a wall of crying
all for nothing
august made all trees autumnal
i put the dry flesh of berries
into my mouth
like the words
that i can’t stick to

i have promised to love for two
but my love lacks for any one

Без назви

я постійно ходжу тією дорогою
де на асфальті чорніє шрам
гальмівного сліду
я знову й знову приходжу сюди
хоча до старого болю
краще не повертатися

дощ так часто
зводить між нами
стіну плачу
та дарма:
серпень зробив всі дерева осінніми
я кладу
сухі тіла ягід собі до рота
наче слова яких не можу
дотримати

я обіцяла любити за двох
та моєї любові не вистачить ні на кого

Original poem by DARYNA CHUPAT
Translation by TETIANA ALEKSINA

© All rights reserved 2023