Testing, Part #2 (Fragment #015)

It was like talking to a brick wall. I elevated my voice slightly.

“Hey, four-eyes!”

Yuck. Not only is he blind, he’s deaf too… I was considering poking him with a ruler when I heard a semi-cough right above me. Again.

Any questions, young lady?”

“No, Sir.”

Question 2a: Define a metrical foot used in the following poem.

He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.

The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots—but the worst of it was,
He had wholly forgotten his name.

He would answer to “Hi!” or to any loud cry,
Such as “Fry me!” or “Fritter my wig!”
To “What-you-may-call-um!” or “What-was-his-name!”
But especially “Thing-um-a-jig!”

1) Trochee
2) Iamb
3) Anapaest
4) Dactyl

Question 3a: What isn’t a forme fixe?

1) Qasida
2) Glosa
3) Sequence
4) Tanaga

I looked around helplessly. No help was within reach. Well… if plan A doesn’t work out then I have to use plan B. So, I gave a shit about that, and began to select answers at random.

The blank space below question 1a was very much in evidence, and my inner perfectionist demanded satisfaction. I knew it was better not to argue as this thought would be like a pebble in my shoe—it would hinder and annoy. I wrote something like, “Prompt at five o’clock, I busted a snaplock, and walked around town in a candy-striped nightgown.”

Then I hesitated over where an adverb of time should be placed in an English sentence. Damn. At the start? At the end? Without philosophizing, I repeated the first line at the end. If need be, I could say that I was nervous and forgot to cross out the wrong line.

With a feeling of satisfaction at a job well done, I turned in my paper and left the amphitheater. I felt a roaring hunger.

 

by TETIANA ALEKSINA
© All rights reserved 2017

Broken Poem (Fragment #16)

I knocked at the door.

“Come in!”

The professor was sitting on the window sill without his shoes. It looked a bit strange, but I had gotten used to his little quirks. Generally speaking, our entire magistral staff is a strange sort of panopticon—a freak show if you will—and so sitting barefoot on a window sill looks like kid’s stuff in comparison with the other teachers’ habits.

“What are you staring at? Give me your scribbles!”

I had gotten used to his bad manners too. With impassiveness I offered my worn down notebook to him. The professor opened it, read some lines and screwed up his face.

“What the crap?”

“It’s my homework.”

“Are you sure?”

“It seems so…”

“Quite so. It only seems like homework.”

He tossed the notebook against the wall. It bumped into a shelf of softbound texts, opened and came apart. Lines that I had written with diligence and care crumbled. Words and punctuation marks were scattered higgledy-piggledy in every corner like pieces of a shattered cup. I sniffled and bit my bottom lip.

Gather up this trash. And don’t spoil such precious words with your glamorous bullshit.”

I stood and looked at his bare feet, at those claws clutching over the floor. They were long and crooked with an unpleasant yellow hue…

“Look sharp! I’m not going to hang around for another aeon!”

I started to gather my unhappy poem from the dirty floor. Resentment was slowly turning into fury. Plucked peacock! I will sort you! I will show you anti-glamour!

 

by TETIANA ALEKSINA
© All rights reserved 2017

Testing, Part #1 (Fragment #30)

The desk was a scuffed, sordid blue. I love such things, you know. They’re better at telling you the story of an institution than all those dull, fat conduct books, and they’re more entertaining. For example, right here someone had ably depicted the birth process of star-nosed moles. I sniggered. Considering their knowledge of such ‘niceties’, perhaps it was a future Darwin Medalist. Although… yuck! I reached for a pen.

Twenty two, dolt! Twenty two, not nineteen! I hate giving a lick and a promise! It’s better not to do at all than to do something sloppily.

I was nearly finished coloring the corrected snout when I heard a semi-cough right above me. Yipes! I raised my eyes slowly, and saw the sheen of a badge: ‘Mr. Turdman’. I snickered.

“Follow me, young lady.”

I got up from the desk and dragged myself after the badge wearer’s podge.

Some lanky guy stood near the door and droned like a jammed record: “Please put your cellphones, tablets, and other gadgets into the basket. Please don’t use any electronic devices during the test.”

I shrugged my shoulders and fished my old celly in its scratched maroon sheath out of my pocket. I put it into the plastic basket, right on top of the shiny, posh smartphones. It looked pretty funny, as if a behemoth had decided to join the dance of the little swans.

“Hey, are you dozing off, bimbo? Stop holding up the line!”

His derisive tone brought me back to reality. “I may suck, but you swallow,” I thought reflexively. I stepped into the study amphitheater.

Question 1a. Compose a limerick using the following rhymes: town, nightgown, lock, o’clock.

I scratched my nape and looked helplessly about. Some dweeb with huge glasses to my left seemed like a promising prospect. This dork obviously knows what the hell a limerick is. I whispered, “Psst! You! Hey, you!”

 

by TETIANA ALEKSINA
© All rights reserved 2017

Forbidden fruit

I’m grateful to my father
for Maupassant and Poe
who were forgotten on the highest shelf

If a book falls into my hands by itself
and says, “Read me, bro!”
would I really bother?

 

by TETIANA ALEKSINA
© All rights reserved 2015

Ancestor’s Pages ~ The ∞ ‘21 Shades of Blue’ collaboration

This book smells so redolent,
though the pages feel decayed.
It’s cover seems insolent,
frayed bromide paper displayed.

All, what I craved, lies inside
like a spurned lover in print
who was inked and crucified
by glossing over missed hints.

My trembling fingers caress
the words I cannot escape.
The vowels slowly undress
wound’s consonants, healing, named…

 

by TETIANA ALEKSINA & RY HAKARI
© All rights reserved 2015