Today’s Special (March 4)

“Don’t faff around, Sally! She’s harmless, I tell ya!”

It’s a perfect spring day, shining like a new penny and smelling like a wild honey wind. On such days, sunlight reflects into people’s eyes, they’re late to work, and everyone falls in love at a glance.

Two young waitresses chirp near the back door of a little café. Cigarette smoke blends with the aroma of coffee and the smell of fresh baking. A big cat sprawls in delicate sunbeams, sharing a timeworn bench with some perky sparrows. There’s enough sun to go around!

“Hey you, young ladies! Quit slacking off! Come on, get busy!”

The manager’s shrill voice crushes this idyllic scene in the space of a clap. It shatters into a myriad of tinkling colourful pieces. The waitresses flit into the café. The sparrows scatter away like spilt sugar dragées. Only the cat continues to enjoy itself, correctly supposing that it’s busy enough anyway.

“Look! Look, Molly! It’s her again!”

Sally tugs on her girlfriend’s sleeve. Molly brushes her hand away. The new barista with his bright sapphire eyes and dazzling smile is working his magic near the old coffee machine. No one understands how he manages to get such a divine taste from third-rate beans. Every day, Molly’s all eyes and bated breath, spying on him. It feels so very close, but again and again the secret slips past Molly like a cheeky little Casper to hide in the vanilla steam puffs. The barista flashes her a wink and places some cups on a tray. Order’s up!

Molly takes the tray and rushes out into the street. She’s almost skipping. No one wants to sit inside a café on such a wonderful day!

She’s here. An old woman in a worn coat and a ridiculous straw hat, standing near an empty table. Some visitors have just left, and there are empty clay cups, dirty saucers and cutlery on the table. There’s also an ashtray with two stubs, and one of them has left a tip. The old woman carefully sweeps something from the table into a handkerchief, which she then folds and puts in her pocket. Molly looks at her. The old woman notices Molly, offers a shy smile and a nod, and walks away.

Molly stands there for a little while longer, enjoying the sweet air and its symphony of vehicle horns, then goes over to the table. She places the empty clay cups onto the tray, as well as the dirty saucers and cutlery, changes the ashtray, and drops the coins into her apron pocket. After ensuring that none of the other visitors needs her attention, Molly goes back inside the café. And just in time to see the barista grinding a new portion of coffee beans too! Another chance to distill his secret…

Sally and Molly walk down a sleepy street, eating mint ice cream and talking a mile a minute like they haven’t seen each other in ages.

“No, Molly, I can’t make it out. What is up with her?”

“Silly chickadee! I tell ya, she’s sweet. I’ll prove it to you. Let’s go!”

The girls turn into a narrow side street. It is adorned with small lanterns, sweet peas in big garden pots, and clotheslines. Sally and Molly approach a tilted shabby fence and find a hole to step through. Of course, the gate is right there—only a brick throw away—and it’s wide open, but who cares about gates when there’s such an alluring fence hole?

The old woman is here. She’s writing something on a scruffy blackboard. When she steps back, Sally and Molly see… a menu. It reads: ‘Madam Maganti’s Bird Pastry. Twenty kinds of the freshest every day cake crumbs!’

Sally stands open-mouthed. Molly smiles, pulls a small package from her pocket, and approaches the old woman.

“Twenty three, ma’am.”

Madam Maganti nods, and goes to the kitchen to put the kettle on the fire.

Day rolls under the bench, jumps one more time, and settles itself in the cozy warm dust. If you ask the cat, it tells you that the day lays tails-up. However, no one really cares.

 

by TETIANA ALEKSINA
© All rights reserved 2019

Wordy Mikado (Fragment #017)

I stowed the wreckage of the broken poem in my pockets and dragged myself to my room. It was there that I shook out this mishmash, onto the little table in the corner, and I fell to thinking how it could be rearranged into a new poem. Some lines stuck out awkwardly here and there, and I suddenly recalled how in my childhood I would play Mikado. This flashback was so quick and so bright that it slashed through my mind like a lightning bolt.

We preferred to play with fine aluminium wires, not with woody sticks. We bent the ends of the wires into loops, hooks, and waves. This made the game more difficult because every move had to be executed with surgical precision. (By the way, I’d heard of a variation of this game that was part of the professional practice of pocket lifters.)

I found myself mindlessly poking my finger into the pile of words. My angriness fumed away. The professor’s voice echoed in my head: “And don’t spoil such precious words for glamorous bullshit.” We played with literal junk when we were children, and we did it with style. Why should I fuck with such high class stuff now?

I pulled out a long, shiny wire from the pile and smiled. I knew what I needed to do. I accurately stowed all the wordy bits into a little box and went to the library.

 

by TETIANA ALEKSINA
© All rights reserved 2017

Oops!… We Did It Again (cult of crucifixation)

Erm… hullo there. (This is rather awkward…)

Dear Reader, the stuff that was originally posted here has been removed.

We have done this because said stuff has since been included in one of our published books. We hope you’ll believe us when we say we’re not trying to be stingy. No, this has been done to honour the people who have already spent their hard-earned money on our eBook creations.*

If, however, for some reason you’re unable to buy one of our books, and feel you’ll die without seeing this piece of writing, then please contact us via admin@unbolt.me. We won’t allow our Dear Readers to fade away in the dark. We’ll send you the piece in question, and it will be absolutely free. All you need do is ask.

* Of course, we would be like two happy puppies if you too decided to buy one of our books.

 

by TETIANA ALEKSINA & TONY SINGLE
© All rights reserved 2018

GUEST POST // A Diptych for Pain by Krishna Prasad

Words after words double march
in not just your war
Unwritten poems upon poems pile up
in bleeding hearts
…the squeaking hinges
let love in through the leaves
seize your pen my co- warrior
Press the ink, take a hit
This war soon be over
Heals writing; you are worth more than this

 

by KRISHNA PRASAD
© All rights reserved 2016